Author

Kim Hyang

OpenAlex ID: A5113913113

Gender Embodiment and the Creation Meaning in the Changgeuk Performing Arts -(2013) and <Anomalous Fantasy>(2016)

2018 · Kim Hyang · The Journal of Drama

A Study on the Special Artistic Qualities of Changgeuk and the Yi - myoun Theory (裡面論)

2016 · Kim Hyang · 한국연극학

A Study of the Cultural Translation of ‘Territory’ and ‘Freedom’ in Tae - suk Oh’s production of The Tempest

2016 · Kim Hyang · The Journal of Drama

A Study on Teaching Method of Writing Based on Process by Outlining

2016 · Kim Hyang · 건지인문학

Perception of Reality and Literary Evidences by Janryupa

2015 · Kim Hyang · The Korean Language and Literature

The Realization of “Yimeun” in the Changgeuk Acting of Traditional Pansori Repertories by the National Changgeuk Company: –A focus on Sugung-ga(2000), directed by Myoung-gon Kim

2015 · Kim Hyang · The Journal of Drama

A Study on Melodramatic features of Nam-gung, Man’s dramas in the period of directly after Korean Liberation

2013 · Kim Hyang · 한국극예술연구

A Cultural Border and Oikos Rationality embodied in the Changgeuk Mr. Rabbit and the Dragon King Directed by Achim Fryer (2011)-focused on a Theory of Cultural Translation

2013 · Kim Hyang · The Korean Language and Literature

“Public Consciousness” of Changgeuk (唱劇) Cheong and Choonhyang 2010 -focused on Yi-meun theory (裏面論)

2012 · Kim Hyang · The Korean Language and Literature

A Study on Temporality and Significance of the Changgeuk(唱劇) Wildfire

2011 · Kim Hyang · 한국현대문학연구

A Study on the Aesthetic Value of “the Teum (the Opening)” of Yonghosangbak created by Oh Taesuk

2009 · Kim Hyang · 한국극예술연구

Works count: 11

Citation count:

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