Year: 1976
Type: conference-abstract
Abstract: Historic background on the development of 360° concert halls and music pavilions. Applications of end-stage rectangular hall criteria to the circular form. Discussion of advantages in terms of musical acoustic listening criteria in the hall and on stage. Analysis and critique of completed facilities: Ontario Place; Concord Pavilion; and the Denver Center now under construction.
DOI: 10.1121/1.2002442
Author: C. Jaffe
Language: English
Subfield: Acoustics and Ultrasonics
Field: Physics and Astronomy
Domain: Physical Sciences
Open Access status: bronze
OpenAlex ID: W2053987410