Вистава С. Данченка «дядя Ваня» На Сцені Національного Академічного Драматичного Театру Імені І. Франка: Контекстуальний Погляд
Year: 2019
Type: article
Abstract: The Chekhov's repertoire, whose relevance is undeniable, has long become an important component of Ukrainian theater culture.The purpose of this work was to consider the play "Uncle Vanya" in the production of S. Danchenko in the context of the works of world theater directors.This performanсe, which appeared on the stage of the I.Franco Theater in 1980, is considered to be an independent artifact of Ukrainian theatrical culture. But it became not only a notable event in the history of A. Chekhov's plays in Ukraine, but it also found itself at the epicenter of the aesthetic transformations of the late 70's - early 80's, which took place both in set design, directing, and in the theater's dialogue with classical dramaturgy.In this work it is proposed to consider the play "Uncle Vanya" in the context of performances representative of the history of productions of Chekhov's plays in the world.The objects of this article were such performances. «Cherry Orchard» at the Lesya Ukrainka Theater in Kiev (directed by I. Molostovа, 1980); «Cherry Orchard» at the Piccolo Teatro di Milano (directed by G. Strehler, 1974); «Cherry Orchard» іn the theater at Taganka (directed by A. Efros, 1975); «Three sisters» at the Wigsinhaz Theater in Budapest (directed by István Horvai, 1972); «Ivanov» at the М.Gorky Moscow Art Theater (directed by O. Efremov, 1976 ); «Cherry Orchard» at the Paris Theater Buff-du-Nor (directed by P. Brook, 1981); "Uncle Vanya" at the Vilnius Youth Theater (directed by E. Necroshus, 1986)S. Danchenko's performance "Uncle Vanya" should be considered not only as an independent phenomenon in art, but also as an organic component of the world theater process. As a result of comparative analysis, performances that appeared in different theatrical cultures in one chronological period, identified two main criteria, which create a contextual series. On the basis of the analysis of the revealed criteria, ideological and aesthetic parameters of Chekhov's productions of the selected period are represented. Namely: creating a universal, multi-faceted image of the stage space; and increase in intellectual volume, characteristic of all the performances under consideration, which relieves them of lapidarity and gives the polyphonic timeless dimension.
Author: Дар’я Вікторівна Шестакова
Language: Ukrainian
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W2998535402