Основні Тенденції Виразових Можливостей Фортепіано В Камерно-інструментальних Ансамблях С. Людкевича
Year: 2019
Type: article
Abstract: The purpose of the article is on the basis of analysis of S. Lyudkevych’s chamber-instrumental heritage to reveal peculiarities in the interpretation of the piano in view of the evolutionary tendencies in the field of expressiveness of the instrument, in particular, to systematize the style features of the genre in S. Lyudkevich's work, to determine the specifics of the correlation and interaction of instrumental parts in the integral texture of works, to investigate the specifics in the interpretation of piano parts, to formulate the main performance problems and complexities. The methodology of the study is applying the general scientific principle of objectivity. The main methods in the study of stylistic features of interpretation of the composer’s chamber-instrumental works were: historical, source-study, analytical, structural-logical and the method of theoretical generalization. The scientific novelty of the work: for the first time on the basis of musicological and performing analysis of examples of the mentioned genre the main tendencies of piano expression in the chamber-instrumental legacy of S. Ludkevich were revealed. There were systematized the stylistic features of the genre in the artist’s work, the principles of the correlation and interaction of instrumental parties in the integral texture of works were determined, the peculiarities in the interpretation of piano batches were described, the basic executive problems and complexities were formulated. Conclusions. There was proved that the composer's understanding of the specifics of ensemble music production, based on the principles of community, integrity of the performing process, complementarity and interpenetration of individual parties contributed the interpretation of the chamber-instrumental genre with an orientation towards the equality of the members of ensemble. At the same time, forming in his chamber-instrumental works a new type of specifically ensemble performance, S. Lyudkevych significantly expanded the expression of piano. Therefore, all parties are actively involved in the development of musical material, in the playwriting of the composition and form a single, indivisible texture of the work.
Source: Музичне мистецтво і культура
Author: Gabriella Astalosh
Language: Ukrainian
Subfield: Music
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W3041661497