Year: 2021
Type: conference-paper
Abstract: The purpose of this study is to identify the main hidden guiding tools of the digital functioning of the Russian cultural industry. One of the objectives of the study is to clarify the specifics of the digital form of culture as a segment of mass consumption. The negative effects of the digitalization of culture identified by the author are focused on the formation of the digital reality of pseudo-culture. The digital format of culture acts as a temporary file of flat / not deep content for displaying freely transforming flowing forms of cultural works, formed at the request of an active consumer. The role of an active consumer is no longer limited to communication/transmission of information with a work of culture, but allows you to directly participate in the creation of a work of culture, on the basis of which the forms of interactive interaction with digital/information objects and environments are differentiated. The most important criterion for the digital form of a work of culture is the process of choosing an interactive consumer. A dematerialized work of culture loses its spatial depth characteristics and is defined in terms of time/speed/replication. The new information reality of culture coordinates the dematerialized digital resources of culture, thereby again transferring culture to the sphere of management, and, consequently, to the economic criteria of efficiency. The digital format of culture does not limit the possibilities for simultaneous / timeless representation of databases in a wide variety of combinations.
Author: Nataliya A. Malshina
Institution: Saratov State Conservatory named after L. V. Sobinov
Language: English
Subfield: Literature and Literary Theory
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: hybrid
OpenAlex ID: W4200315775