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Formal and Conceptual contexts of traditional cross-stitch techniques in contemporary art and Installation examples

Year: 2026
Type: conference-paper
Abstract: Traditional cross-stitch, one of the heritage handicrafts, dates back to ancient times. The earliest examples of this embroidery are found in Asia, from where it is known to have spread to Europe. The methods of use, application areas, and meanings of cross-stitch vary across every civilization. Having historically found wide application in garments, home textiles, and accessories, cross-stitch embroidery has begun to gain new meaning within contemporary art. Cross-stitch is an embroidery technique consisting of superimposed and juxtaposed needlework patterns formed by shapes that intersect each other in an X form. Depending on the characteristics of the fabric applied, it is a type of embroidery performed either by counting the threads of the fabric itself or, on fabrics where threads cannot be counted, by counting the strands of a canvas mesh used as an auxiliary tool. The sustainability of traditional arts and their transmission to new generations represent a significant potential for today's contemporary art and installation. Within the scope of this research, the adaptation of cross-stitch as a cultural heritage element onto textile surfaces and works intersecting at the innovation of "from craft to art" have been examined. Document analysis was utilized as the data collection technique for the research methodology. Reinterpreting traditional cross-stitch motifs, harmonizing handicrafts with industrial designs, and establishing advanced communication between technology and cultural heritage are necessities of our age. New formal and conceptual interpretations of cross-stitch will provide futuristic perspectives to contemporary art.
DOI: 10.5937/ct_iti26612c
Language: English
Subfield: Museology
Open Access status: bronze
OpenAlex ID: W7204487019
FWCI:
Cites: 2
Cited by:
Related to: 10