Forme dilatate del dolore. Tre interventi sul teatro di interazioni sociali. Con una Postfazione di Stefano Casi
Year: 2013
Type: article
Abstract: Three papers written by Claudio Meldolesi between 1996 and 2005 have been collected under this title. They show the interest nurtured by Meldolesi in those years, for theatre forms that he wanted to define as «of social interaction»: those forms of theatre that have as subject and object prisoners, disabled people and immigrants, and that seem like «dilated forms of pain». The three papers, short and precise, may be linked to other more amply developed articles in “Teatro e Storia”. They seek to define the contours and limits of an area of certain social and political relevance, whose matrices and theatrical grounds should be developed. In the afterword Stefano Casi highlights two in particular: the concept of constraint, borrowed from Fabrizio Cruciani’s studies on Copeau, and the theme of deformation as a constitutive value of the art of the professional actor intended as «man similar to man». It includes: Claudio Meldolesi, Un teatro del «costringimento» Claudio Meldolesi, «Un teatro rinato dai mondi costretti». Sulle concordanze sceniche fra reclusi, portatori di handicap e immigrati poveri Claudio Meldolesi, Cari lettori, cari spettatori. Note in forma di lettera sul teatro di interazioni sociali Stefano Casi, I «teatri veri» d’interazioni sociali. Postfazione agli scritti di Meldolesi
Source: Teatro e Storia
Author: Meldolesi, Claudio
Language: Italian
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W7220180203